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| Abhishekanatakam | Sanskrit drama by Bhasa (A.D.200) |
| Ashcharyachudamani | Sanskrit drama by Shaktibhadra (A.D. 800) based on the Ramayana, performance lasting twelve days |
| Kalyanasaugandhikam | Sanskrit drama by Nilakandha Kavi, 16th century |
| Nagandam | Sanskrit drama by Sri Harsha, 7th century A.D. |
| Natyasastra | the great treatise on dramaturgy in Sanskrit by Saga Bharata, written between 2nd century B.C. and 2nd century A.D. |
| Pratijna-Yaugandharayanam | Sanskrit drama by Bhasa (A.S. 200) |
| Subhadra-Dhanajayam | Sanskrit drama by Kulashekhara Varma (A.D. 900), based on the story from the Mahabharata |
| Swapnavasavadatta | Sanskrit play by Bhasa (A.D. 200) |
| Tapati Samvaranam | Sanskrit drama by Kulashekhara Varma (A.D. 900), based on Mahabharata, performane lasting eight days |
enacted acts (ankam) of a drama or play
| anguliyankam | the sixth ankam of Ashcharyachudamani. performance lasting twelfe days |
| ashokavanikankam | the fifth ankam of Ashcharyachudamani |
| balivadham | first ankam of Abhishekanatakam. pereformance lasting five days |
| mantrankam | third ankam of Pratijna-Yaugandharayanam, performance lasting forty-one days |
| shurppanakhankam | the second ankam of Ashcharyachudamani, performance lasting 5 days |
| swapnankam | the fifth ankam of Swapnavasavadatta, performance lasting only one day |
| toranayuddham | the third ankam of Abishekanatakam, pereformance lasting six days |
| udbhandanam | the second ankam of Nagandam, performance lasting fifteen days |
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