english version german version

the material of this page is compiled from the following website:
http://www.kamigatamaitomonokai.org

Repertoire

Recitals, Creative Activity,
Overseas Public Performances, Grants & Awards

Glossary

Keiin Yoshimura - profile

[1] [2]

Performer, choreographer and art director of Kamigata-mai dance, Tokyo Japan
Head of Kamigatamaitomonokai Organization
Head of Yoshimura Keiin Kamigata-mai Studio

Repertoire


Dance form Title
Jiuta [Aoi no uye] [Humiduki] [Kanawa] [Kanegamisaki]  [Kawazu] [Kiku no tsuyu]  [Kodoujiyouji] [Kosu no to]
[Mizu-kagami] [Mushi no ne] [Naginata-Yashima] [
Nagoyaobi] [Nezuminomichiyuku] [Shouiyo] [Takenoen] [Tamatoriama] [Utou] [Yachiyojisi] [Yashima] [Yuki]
Yamatogaku [Shikinohana]
Ogie [Kanayatanzen]
Gidayuu [Hanakurabe Shikinokotobuki] [Shaberi-Yamanba] [Kaminari]
Nagauta [Shigure-Saigyo]
Kamigatauta [Fumizuki] [Sangokuichi]
Icchyubushi [Matsunohagoromo]
Creative Dance [Terute] [Gokuraku-Kinngyo]
Utai & Jiuta [Kibune]
Occidential & Noh Music [Yukisagi]
Click underlined titles for a photo gallery !


Details Of Some Jiuta Dance Figures


Jiuta Title

Composer

Instruments

Text

[Aoi no uye]

YAMADA kengyô voice, koto, shamisen Yôkyoku

[Kanawa]

FUJIO kôtô voice, shamisen Yôkyoku

[Kawazu]

unknown voice, shamisen unknown

[Kiku no tsuyu]

HIROHASHI kôtô voice, shamisen, koto FUKUSHIN

[Kosu no to]

MINEZAKI kôtô voice, shamisen, kokyû Kubinobu

[Mushi no ne]

FUJIO kôtô voice, shamisen ("Matsumushi", Yôkyoku)

[Nagoyaobi]

YAMAMOTO Kiichi voice, shamisen, koto ARASHI San'emon

[Nezumi no michiyuku]

unknown voice, shamisen (TOMIYAMA Seikin)

[Yachiyojisi]

unknown voice, shamisen, koto, kokyû SONOHARA

[Yashima]

FUJIO kôtô voice, shamisen, koto (Yôkyoku)

[Yuki]

MINEZAKI kôtô voice, shamisen, shakuhachi RYUSEKIAN Hazumi
Click bold and underlined titles for a photo gallery !


Content Of Some Dance Titles


Jiuta  [Aoi no uye]
Lady Aoi
A classic work by 15th-century Japanese dramatist Zeami MotokiyoThe play, based on events in the 11th-century novel "The Tale of Genji," by Murasaki Shikibu
In this play, Lady Aoi, represented by a folded robe, lies near death, stricken with a mysterious illness by the malevolent spirit of the scorned, jealous Lady Rokujo. The play's most memorable scene involves an exorcism performed by a chanting ascetic whose incantations stay the evil spirit of Rokujo. Rokujo repeatedly withdraws, coils and strikes until in the end her heart softens and she is guided to salvation and Buddhahood.
Jiuta  [Kanawa]  Narrates how a woman, enraged by jealousy, goes to the Kibune Shrine and petitions the gods to turn her into a demon so that she can have revenge
Jiuta  [Kosu no to
Outside the bamboo blind
It is a short amatory story set in summer: a woman has fallen in love with a man who eased her stomach pains with his strong arms. They are about to hang a mosquito net together.
Jiuta  [Mitsukagami] 
Water-mirror
shiny (reflective) surface of water

Jiuta  [Nagoyaobi] Depicts the subtle emotions, state of mind and thus social situation of a Geisha, who cannot be with her lover.
Jiuta  [Yashima] Yashima
(ancient battle place)
The dance is based upon the Noh play also titled Yashima. In it a single dancer tries to capture the essence of the ancient battle that took place at Yashima.
One spring day, a traveling priest visits the site of the old battle at Yashima located next to a beautiful beach with the crystal blue sea on one side and rising mountains on the other.
It was here that the Heike and Genji clans fought for supremacy.
The story unfolds with the priest meeting the ghost of the Genji general, Minamoto no Yoshitsune, who recounts his battles with the enemy warriors. All through the night, he narrates of his great courage and bravery in the battle and his finally victory over his foes, and as the day dawns the ghost fades away.

Among Kamigata-mai, it is one of the most strenuous and active dance performance.
Jiuta  [Yuki] snow Yuki is one of the most popular jiuta dances.
It depicts the tranquil mind of a nun and her sad psyche before becoming a nun.
The text tells the story of a Buddhist nun who has lived in a nunnery, apart from the world, ever since she was disappointed being in love while she was a young courtesan.
The piece beautifully depicts the serenity of the mind of the woman, as the tolling of a temple bell in the snow reminds her of her past sorrows.
The instrumental interlude (ai-no-te) is used here to express the quiet tolling of a distant temple bell on a snowy evening and has become so popular that its melancholic melody is often used in other dances as a kind of theme to suggest a snowy scene or the call for a cold, dark atmosphere.
Kamigatauta  [Sangokuichi] Once there was a rich, licentious man.
Although he had already gotten married, he fell in love with a young and beautiful girl.
After they came to love each other, she went on a pilgrimage with her elderly mother, because she realized how guilty their act was.
After hearing this he went running after her while leaving his pregnant wife alone.
Being left to ponder why he had left her, the wife assumed it was because of her unfortunate facial appearance, leaving her with a sense of self regret.
Click bold and underlined titles for a photo gallery !


overview the japanese performing arts personal history of Keiin
colors - light - space costume - body language postures
impressions (animation) features (animation) back to 'Keiin in Kerala"
legal notice feedback

separation

manasvi.com
2003-2004